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“Persepolis” is an arresting film based on Marjane Satrapi’s autobiographical graphic unusual of the same name about her childhood in Tehran during the last Iranian revolution and coming of age after emigrating to Vienna. It is an extraordinarily ordinary myth about an average woman coming to terms with herself and with the world around her. Did I say “average woman”? My abominable. I meant dynamic, charming, radiant, and fiercely individualistic. Ms. Satrapi’s memoir is among the finest works ever exciting and bestows upon the viewer the endless virtues of knowledge, a broadened mind, and a factual perspective on humanity. “Persepolis” will demolish your heart, obtain you smile and laugh out loud, cheer, possibly instruct, and restore your faith in humanity. The fact that this was passed over for an Oscar in favor of yet another mediocre Pixar concern (about a rat that controls a chef by pulling his hair, no less) is the ultimate proof distinct that that award (or any other, really) has no merit whatsoever.
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Young Marji walks down the street to the status where shady characters reside. As she passes each bootlegger, they announce the names of the forbidden fruit they gain. “Lipstick” whispers one, “Jichael Mackson” mispronounces another. She continues on until she hears what she wants: “Iron Maiden”. She hasty negotiates a ticket and makes off with her prize unprejudiced as a group of overbearing religious figures tower over her. They have taken enlighten with her shoes: dumb sneakers. Marjie insists they are for basketball, but another spots her Michael Jackson patch, a symbol of American greed. Then the coup-de-gras; she has “punk is not tiring,” scrawled across the befriend of her outfit. Thinking hastily, Marjie bursts into tears, sobbing lies about her parents having died in the war with the Iraqis and a cruel guardian who will burn her with an iron if they turn her in. Safely abet at home, having tricked the local oppressive religious posse, the young girl grabs a tennis racket as a guitar and bangs her head to the sweet, hard-earned reward of heavy metal. The scene then segues -music smooth rocking- to the frontlines of the war where the unique Iranian Islamic rulers are sending young men unarmed to hurry the Iraqi army, acting as human shields/martyrs. Their parents are rewarded by the government for their sons’ sacrifices with shrimp plastic keys which are promised to begin the door to Heaven for their monotonous children. Such are the complications of everyday life in Iran at this time. The duality of these scenes speaks a lot for the power and message of this film. But while there is highly enlightening political commentary and historical information to be found here, the focus is on the everyday life and struggles of our protagonist with the horrors of her surrounding often being downplayed.
The animation is minimalist art of the highest stylistic brilliance. The endearing nature of Marjie and her family is only highlighted by the ultra-simplistic sad and white pencil-and-paper artwork. All of the CG in the world could not improve on this film in any way; the focus is on yarn, characters, and stylistic integrity, as it should be. The film’s philosophies speed deep and expansive, ranging from harsh commentaries on authority to harsh commentary on purposeless counterculture. Wisdom comes from Marjie’s grandmother, from her imaginary chats with God, and her memories of her communist uncle. These are life lessons about integrity, prudence, and acceptance that one should always carry with them and effect many, many quotable quotes.
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Do not believe for a second that this film is all about heaviness of spirit and preachiness. No, no, no, no; nothing could be further from the truth. Ms. Satrapi is a knowing social satyrist who fills “Persepolis” with pointed jokes, lighthearted moments, and heartwarming charm while pointing out that at heart, we are all the same. There is a time in Marjie’s life where she becomes a unimaginative, jaded cynic unable to do anything but recognize TV and let life pass her by. Then one day, she wakes up furious again. The result is a musical montage that will likely perform you laugh hysterically or jump out of your seat to pronounce along. Possiby both. This is honest that kind of film. Throw in some interesting cherish for Godzilla, Bruce Lee, and Terminator 2 and I am beyond sold.
The DVD has a few behind-the-scenes special features that demonstrate us the woman herself at work. Having already fallen in worship with her consuming doppelganger, seeing the vivacious Marjane Satrapi made flesh is a exact treat. We come by a belief of the old-school animation processes and are able to explore Ms. Satropi act out different characters for the animators to seek. This is nearly as mighty fun as the movie itself. Fabulous feature.
This is a near-perfect film that I would recommend to anybody who isn’t going to speed away from a mostly gloomy and white inspiring film with subtitles. And if you are: well, be pleased your life of closed-minded cinematic ignorance. “Persepolis” is a revelation whose duty is to entertain us while reminding us unbiased how kindly we have it and simultaneously educating us about a culture and history few in the West have made any attempt to understand. Ms. Satropi’s insisted that this anecdote be spellbinding and not filmed for this reason: challenging characters are more universally identifiable. Location a film in Iran and own it with Iranians and you have an ethic film that many will subconsciously refuse to identify with. But with animation, all things are possible; even bridging a gaping cultural divide. But at it’s heart, this is a film about the enthusiam of youth, the hardships of adulthood, and the triumph of personal integrity. Do not miss this.
Every once in a while a sizable revelation comes in cinema… and we have one here!
Based on the graphic novels The Complete Persepolis by Marjane Satrapi, this 90 puny film is a satisfactory translation of the current source material. The heavily stylized dusky and white cartoon is very grand yet remains simple in it’s universal emotional core. The charming minute girl we are introduced slowly grows up to be a defiant woman in a dwelling that is not for her. As we go along with the skedaddle characters near and go, but the threat of Marjane’s fable never becomes musty, every residence point makes an impact. The dismal collect and fascinating rendition of Examine of the Tiger add a fabulous layer to the whole experience.
This film is a breath of unique air in this cynical age of high plan mega tent-pole films. For Iranians, it’s a bittersweet shuffle home, and for Americans… a ample chance to eye that Iranians are not the monsters portrayed in the never ending game of politico.
A fair sad and white film for an era of oh so gray problems.
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